The conference will take place at the Vasariana Hall in Arezzo, Via del Praticino, 6, and aims to offer a concise overview of the state of research on these two masters of sixteenth-century polyphony, on musical genres and subgenres over time, on the relationship between vocal and instrumental music and on other aspects of composition, notation and performance practice of current interest in musicology.
– Wednesday, August 25, Session I from 3:00 to 6:00 p.m.
Vocal and instrumental genres in the sixteenth century
Camilla Cavicchi (Centre d’Études Supérieures de la Renaissance – Université de Tours)
Paolo da Col (Conservatory of Music of Venice)
Del cantar al liuto: continuity of monodic singing and the practice of diminution in Venice between the 16th and the early 17th centuries
Jérémie Couleau (Université de Toulouse Jean Jaurès)
Who’s behind Ghiselin Danckerts’s “Missa de Beata Virgine”?
Livio Ticli (University of Huddersfield)
Performing Vocal Repertoire at the Late-Cinquecento Court: Italian Virtuosos, Concertato and Integrated Performance Practice
Vania dal Maso (Conservatory of Music of Verona)
“Con alcuni fioretti”: Josquin and Philippe de Monte in tablatures for key instrument.
– Thursday 26th August, Session II from 3.00 p.m. to 6.00 p.m.
Sacred and profane polyphony in the age of Philippe de Monte
Philippe Canguilhem (Centre d’Etudes Superieures de la Renaissance – Université de Tours)
Stefano Campagnolo (Marciana Library of Venice)
“A misura di breve”: a possible explanation of a definition that has been enigmatic until now
Marcello Mazzetti (University of Huddersfield, UK)
“Affinchè non s’oda (e intenda) pari per gravi”: Voci pari e musica nei chiostri bresciani del tardo Cinquecento
Stefano Lorenzetti (Conservatory of Music of Vicenza)
Between Identity and Difference. The Italian Madrigal as a Multiple Object
Jan Bata (Univerzita Karlova Praha)
Remembering of Philippe de Monte’s anniversary
Guidoneum Festival, Concert Josquin D 5000, Ensemble “De Labyrintho” directed by Walter Testolin
– Friday 27th August, Session III from 3.00 p.m. to 6.00 p.m.
Josquin des Prez 1521-2021
Chaired by Stefano Mengozzi (University of Mitchigan)
Jesse Rodin (Stanford University- Stanford CA)
The Josquin Canon – and the Josquin Research Project
Murray Steib (Ball State University- Muncie IN)
The Sacred Vocal Origins of Johannes Martini’s Instrumental Music
Clare Bokulich (Universitat Zurich)
Josquin and the Two-Voice, Three-Part Benedictus
Récital-lecture, Ensemble “Cut Circle” directed by Jesse Rodin, Performing Josquin in 2021: A New Approach
Guidoneum Festival, Concert Josquin Desprez Missa Hercules Dux Ferrariae Ensemble “Odhecaton” conducted by Paolo Da Col
– Saturday 28th August, 6.00 p.m.
Guidoneum Festival, Josquin Concert at 500, Ensemble “Cut Circle” conducted by Jesse Rodin
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